Heavenly Radiance, LLC

A Premiere Flagler County, Palm Coast Photography Agency

January 24th, 2011

Is feeling generous….do you know someone that you feel deserves a FREE photo session? Send me a message explaining why you think the person/family deserves a FREE session and I will pick a lucky winner!!!!! Email me: Heavenlyradiance@gmail.com

Submissions must be in by January 30th, 2011. Winner will be pick on January 31st, 2011.

*30 minutes to an hour photo shoot
*location of your choice
*1-2 wardrobe changes (your choice)
*Free session must be used by June 1, 2011
**Weddings do not count in this giveaway.
December 6th, 2010

Firefighters Ball 2010

*ALL IMAGES ARE COPYRIGHTED AND THE SOLE PROPERTY OF HEAVENLY RADIANCE PHOTOGRAPHY

October 26th, 2010

I love it when I get to shoot some cool family shots and do them in the most non-traditional way possible!

The shoot was an absolute blast and I can’t wait to see these guys again soon!!

Enjoy the shots!!

***ALL IMAGES ARE THE SOLE PROPERTY OF HEAVENLY RADIANCE PHOTOGRAPHY. ALL COPYRIGHTS RESERVED

October 18th, 2010

ALL IMAGES ARE COPYRIGHTED AND THE SOLE PROPERTY OF HEAVENLY RADIANCE PHOTOGRAPHY

October 2nd, 2010

We filmed this short interview at the Back & White Ball, September 2010 for the Domestic Violence Awareness Task Force. This gives a brief summery about what this organization is all about.

http://www.youtube.com/watch?v=dw2XGMNYebI

September 29th, 2010

Heavenly Radiance is partnered with Skyplex Pictures and we are very excited to be apart of this upcoming feature film. Here is the press release!

The local creators of a thriller/horror film are looking for actors.

The film by Skyplex Pictures, a Flagler County-based film and video production company, “focuses on a group of young people being haunted by the curse of an ancient spirit and his list of superstitions and rules that are not to be broken,” said casting director Becky Monroe.

The still-untitled film will be shot in North Florida and is a non-SAG production.

Skyplex is planning a series of auditions which call for all ethnicities, men and women, ages 18 to 60.

The company currently is seeking to fill two roles. One is a 19- to 28-year-old female who is moderately attractive and outspoken. This character is a victim and must be able to scream.

Also needed is an 18- to 25-year-old male whose character will be an arrogant, overly confident and

obnoxious young man with no respect for rules.

Potential auditioners should submit professional resumes, head shots and full-length shots to auditions@skyplexpictures.com. Submission deadline is Nov. 25. Selected applicants will be contacted for actual auditions to be held in Palm Coast, said Skyplex’s Kevin Pineda.

For more information, go online at skyplexpictures.com.

By RICK de YAMPERT, Entertainment Writer

September 8th, 2010

Have you ever had a perfect photo shoot with an amazing family? I had the pleasure of having that shoot this past weekend with the Querry/Kimes Family.

September 1st, 2010

August 10th, 2010

***ALL IMAGES WERE TAKEN BY HEAVENLY RADIANCE PHOTOGRAPHY AND ALL IMAGES ARE COPYRIGHTED!

August 5th, 2010

Let’s face the facts; lugging a tripod isn’t always a fun way to take pictures. Ignoring the obvious complaints, which include their size and weight, tripods are actually becoming banned in a number great shooting locations. Unfortunately, hand holding a camera in low light can be extremely difficult and many honest attempts result in soft images.

Thankfully, any of these three techniques will greatly improve the likelihood of sharp hand-held images.

A. Correcting the stance

Most photographers are familiar with how to hold a digital camera in their hands, but most ignore the important aspect of body position. Many people lean forward, leaving their arms to hold the camera steady. Much like lifting a heavy object, the weight is best handled by your legs so adapt your step to fit these guidelines:

  1. Hold the camera with both hands. The left hand will be on the lens, while the right holds the camera body and controls the shutter.
  2. Take a half step forward and keep your knees bent. This will distribute your weight equally over both legs.
  3. Bring the camera up to your common shooting position. For dSLR cameras, this means with the viewfinder held firmly in front of your right eye, while compact cameras should be held at eye level, about 15 cm in front of the face.
  4. Squeeze your elbows tightly against your sides. The left forearm should be completely vertical and behind your toes. Avoid the temptation to lean forward and take the weight off your legs; leaning forward will result in camera shake.
  5. Take a deep breath and let the air out. Before taking the next breath, press the shutter as gently as possible.

B. A pocket-sized tripod

While tripods are awkward to carry, this technique will add a pocket-sized solution to low-light shooting situations.

  1. Before going out shooting, cut a string that equals your height and keep it in your pocket or camera bag.
  2. At the low-light shooting location, take the string out and loop it around the camera lens. Let the extra string fall to the ground.
  3. Step on the loose end of the string and slowly raise the camera to your eye. Carefully pull the string taunt, while making sure not to pull hard enough to effect the camera-to-lens connection.
  4. With the string pulled tight, stand in the same position described in the first technique, and gently push the shutter.

C. The Joe McNally Grip

Photographer Joe McNally, best known for his speed-lighting techniques, regularly shoots for publications like Sports Illustrated, National Geographic, and the now defunct Life Magazine. Despite shooting in various lighting situations, he rarely uses a tripod. Instead, he uses his own grip style that requires shooting with the left eye. With a little practice, this grip allows photographers to handhold with really slow shutter-speeds.

  1. Follow the same foot position as technique one, with the left foot in front of the right, shoulder width apart.
  2. Turn your upper body so that your left shoulder is pointing towards your subject.
  3. Holding the camera with your right hand, bring the camera up and set it on your shoulder. The corner of the camera body should sit in the small hole behind your collarbone.
  4. Use your left hand to brace the camera against your body. Anchor your weight equally on both feet, and lower your left eye to the viewfinder. Take the shot after letting out a deep breath.